MOVING PLOT MODES IN MODERN UZBEK AND ENGLISH PROSE AND THE ISSUE OF INTER-STYLE SYNTHESIS
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Abstract
This article analyzes the mutual transformation of plot models observed in the work of Uzbek and English writers, the adaptation of global motifs to the local aesthetic environment in artistic thinking, and the aesthetic and epistemological essence of inter-style synthesis. The article also analyzes the phenomenon of migrating plot modes and inter-style synthesis in modern Uzbek and English prose.
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