STYLE AND AESTHETIC CODES IN GURNA'S ARTISTIC THOUGHT: A LINGUOPOETHICAL ANALYSIS
Article Sidebar
Main Article Content
Abstract
This article provides a scholarly and theoretical analysis of the linguopoetic and aesthetic features of the authorial style of Abdulrazak Gurnah , one of the leading figures of contemporary postcolonial literature. The study examines the writer’s artistic vision, language choice, poetics of silence, metaphorical system, and narrative strategies in close connection with the representation of psychological experiences. The research is conducted within the framework of postcolonial aesthetics, psychological realism, and linguopoetic approaches.
Article Details
Section
This work is licensed under a Creative Commons Attribution 4.0 International License.
How to Cite
References
1. Ashcroft B., Griffiths G., Tiffin H. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. - London: Routledge,
2. Bhabha H. The Location of Culture. - London: Routledge,
3. Leech G., Short M. Style in Fiction. - London: Pearson Education, 2007.
4. Genette G. Narrative Discourse: An Essay in Method. - Ithaca: Cornell University Press, 1980.
5. Rimmon-Kenan S. Narrative Fiction: Contemporary Poetics. - London: Routledge, 2002.
6. Lakoff G., Johnson M. Metaphors We Live By. - Chicago: University of Chicago Press, 2003.
7. Bakhtin M. The Dialogic Imagination. - Austin: University of Texas Press, 1981.
8. Said E. Culture and Imperialism. - New York: Vintage Books,
9. Gurna A. By the Sea. - London: Bloomsbury, 2001.