ARTISTIC INTERPRETATION FEATURES OF POSTMODERNIST THOUGHT IN UZBEKISTAN AND ENGLISH PROSE

Abstract

V dannoy rabote na sravnitelno-typologicheskoy osnove analiziruyutsya osobennosti khudojestvennoy interpretatsii postmodernistskoi mysli v Uzbekskoi i angliski proze. Issledovanie vydelyaet osnovnye vyavleniya postmodernistskoi estheticheskoi müsli v prosaicheskikh textakh, v chastnosti, intertextualnost, fragmentation, ironic discourse, metafictional methods, relativization author's position i mnogosloynoe vyrajenie khudozhestvennoy reality. It is proven that in Uzbek prose, postmodernist principles are manifested in harmony with national poetic thought, historical memory, and symbolic means of expression, while in English prose, postmodernist modification is characterized by more individual consciousness, crisis of identity, intratextual play, and semantics. double mindedness The results of the investigation show that the postmodernist mind does not have a general theoretical basis in two literary spaces, and the divine interpretation acquires a unique form under the influence of national-esthetic experience, historical conditions and stylistic traditions. In addition, in postmodernist prose, a new model is formed between the author, the text and the reader, and the whole fact is revealed, which is true, not absolute, but relative and neodonznachna, according to its nature.