UNIVERSAL FUNDAMENTAL FOUNDATIONS OF MUSICAL CONSCIOUSNESS AND PERCEPTION

Abstract

This article analyses the essence of the concept of musical thinking, the stages of its formation and the ways in which it is expressed in human consciousness. The interrelation of rhythm, intonation, emotional perception, imagination and compositional thinking is examined as a set of universal regularities of musical thinking. The article interprets musical thinking as one of the general mechanisms of human thought and substantiates that, while possessing cultural and national characteristics, it is at the same time grounded in universal principles. The study is based on theoretical analysis, observation and the results of practical musical activity.